From Völuspá to Hiroshima
Ever since I was a child, my literary tastes have bounced back and forth between stories of fantasy and escape and stories of people’s lives in the real world. This push-pull may have been prompted by the Cuban Missile Crisis in the early 1960s, which happened when I was in grammar school and too young to understand the implications of the news. A much talked about issue in my hometown was which families were building bomb shelters, and if it was a smart or a stupid thing to do. The household where my Brownie troop meetings were held had climbed on the bandwagon, but my parents pooh-poohed the idea. From a child’s perspective, the subject was impossible to contemplate. Even the idea of it made everything in my world suddenly not make sense. Where would we go if the unthinkable happened and an atom bomb landed in our midst?
![]()
Diverse cultural and religious traditions from around the globe include stories of a green paradise emerging from the ruins of an apocalyptic ending to all life on earth. It’s possible to imagine mystics and visionaries from the distant past casting their sight as far out into the future as they could possibly conceive. Some of them foresaw a time when the world would be wracked by powerful forces that threatened to destroy everything. It is our good fortune that some of the tales they told have been carried down through the ages.
The Völuspá, also known as the Seeress’s (or Wise Woman’s) Prophecy, opens the Poetic Edda, a compilation of mythological and heroic poems from Iceland that dates back to sometime around the year 1000 A.D., a time when the old pagan gods were fading away under the spreading influence of the Christian religion. It is the oldest surviving source material for Norse myth and legend.
In the poem, a volva, or wise woman, has been summoned by Odin, chief of the gods, to advise him about what the future holds in store. In a magnificent sweep of events, she tells of the creation of the world and its inhabitants, roots her chronicle in present-day happenings, reveals just enough of Odin’s secret doings to establish the power of her visionary skill, and then tells of a far distant time when the gods will fall to their doom and the world will be destroyed, only to have a fresh, new, green earth arise to take its place. The Völuspá is a primary source for accounts of the Ragnarök, the twilight of the gods in Norse mythology. It is considered to be one of the finest poems in all of Germanic literature.
The Eddas (both the Poetic version and its later counterpart, the Prose Edda) were well known to J.R.R. Tolkien, who mined them for source material to use in his imaginative writings. The names of Gandalf and most of the Dwarves who appear in The Hobbit and The Lord of the Rings originate in several stanzas of the Völuspá known as the “Catalogue of Dwarfs.”
The Völuspá is available to us today due to a fortuitous combination of human ingenuity and twists of fate. Some unknown individual a thousand years ago (give or take a century or two) imagined and articulated the seeress’s grand vision. At a later date, someone wrote down the prophecy in poetic form, in keeping with the literary customs of the day. Quite some time after that, another person copied it in a compilation of poems, placing it first in the manuscript. The Völuspá then passed through many hands before reaching modern times, where the skills of translators and interpreters have turned its distilled wisdom into a form that can easily be found online. Among other things, it’s an antidote to Twitter.
The question that intrigues me is, what if the wise woman’s prophecy was based on a real vision of the future? What would that mean for our lives today, a thousand years later? Read more…